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Noa Dar's In a Black, Black Land displayed the imaginative way she uses the stage, the complexity of her physical work, the width of her dance vocabulary, and the earnest efforts she allots for intellectual content. Ora Brafman (Jerusalem Post, June 2003)
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In Dar's turn, her maturity proved advantageous. Although all three choreographers deployed a similar vocabulary, Dar used a higher degree of detailing and finesse. She better paced the energies on stage, and exposed more intricate relationships of a greater scope.It was her talent, experience and craftsmanship that won the evening. ( Ora Brafman , Jerusalem Post)
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